5 Greatest Guitarist on Earth: 1. Jimi Hendrix

I feel sad for people who have to judge Jimi Hendrix on the basis of recordings and film alone; because in the flesh he was so extraordinary. He had a kind of alchemist's ability; when he was on the stage, he changed. He physically changed. He became incredibly graceful and beautiful. It wasn't just people taking LSD, though that was going on, there's no question. But he had a power that almost sobered you up if you were on an acid trip. He was bigger than LSD.
What he played was fucking loud but also incredibly lyrical and expert. He managed to build this bridge between true blues guitar — the kind that Eric Clapton had been battling with for years and years — and modern sounds, the kind of Syd Barrett-meets-Townshend sound, the wall of screaming guitar sound that U2 popularized. He brought the two together brilliantly. And it was supported by a visual magic that obviously you won't get if you just listen to the music. He did this thing where he would play a chord, and then he would sweep his left hand through the air in a curve, and it would almost take you away from the idea that there was a guitar player here and that the music was actually coming out of the end of his fingers. And then people say, "Well, you were obviously on drugs." But I wasn't, and I wasn't drunk, either. I can just remember being taken over by this, and the images he was producing or evoking were naturally psychedelic in tone because we were surrounded by psychedelic graphics. All of the images that were around us at the time had this kind of echoey, acidy quality to them. The lighting in all the clubs was psychedelic and drippy.

2. Duane Allman

If the late Duane Allman had done nothing but session work, he would still be on this list. His contributions on lead and slide guitar to dozens of records as fine and as varied as Wilson Pickett's down-home '69 cover of "Hey Jude" and Eric Clapton's 1970 masterpiece with Derek and the Dominos, Layla and Other Assorted Love Songs, constitute an astounding body of work. But Allman also transformed the poetry of jamming with the Allman Brothers Band, the group he founded in 1969 with his younger brother, singer-organist Gregg. 

Duane applied the same black soul and rebel fire he displayed as a sideman to the Allmans' extended investigations of Muddy Waters and Blind Willie McTell covers and to his psychedelic-jazz interplay with second guitarist Dickey Betts in live showpieces such as "Whipping Post." Although Duane and Gregg had played in bands together since 1960, Duane did not learn to play slide until shortly before the start of the Allmans. In his only Rolling Stone interview, in early' 71, Duane said that the first song he tried to conquer was McTell's "Statesboro Blues." Allman's blastoff licks in the recording that opens his band's third album, At Fillmore East, show how far and fast he had come — and leave you wondering how much further he could have gone. In October 1971, eight months after the Fillmore East gigs, Allman died in a motorcycle accident in the band's home base of Macon, Georgia.

3. B.B. King

The self-proclaimed "Ambassador of the Blues" has become such a beloved figure in American music, it's easy to forget how revolutionary his guitar work was. From the opening notes of his 1951 breakthrough hit. "Three O' Clock Blues," you can hear his original and passionate style, juicing the country blues with electric fire and jazz polish. King's fluid guitar leads took off from T-Bone Walker. His string-bending and vibrato made his famous guitar, Lucille, weep like a real-life woman. It was the start of a hugely influential blues-guitar style. As Buddy Guy put it, "Before B.B., everyone played the guitar like it was an acoustic."

King grew up on a Mississippi Delta plantation and took off in 1948, at twenty-three, for Memphis, where he found fame as a radio DJ on WDIA and earned the nickname "Beale Street Blues Boy." Along the way, he picked up a uniquely eclectic vision of the blues, blending the intricate guitar language of country blues, the raw emotion of gospel and the smooth finesse of jazz. His Fifties classics — "Every Day I Have the Blues," "Sweet Little Angel," "You Upset Me Baby" — are tender as well as tough, and 1965's Live at the Regal remains one of the hottest blues-guitar albums ever recorded. King remains unstoppable, touring hard and cutting albums such as his recent Eric Clapton collaboration, Riding With the King.

4. Eric Clapton

It first appeared in 1965, written on the walls of the London subway: "Clapton is God." Eric Patrick Clapton, of Ripley, England — fresh out of his first major band, the Yardbirds, and recently inducted into John Mayall's Bluesbreakers — had just turned twenty and been playing guitar only since he was fifteen. But Clapton was already soloing with the improvisational nerve that has dazzled fans and peers for forty years .

In his 1963-65 stint with the Yardbirds, Clapton's nickname was Slowhand, an ironic reference to the velocity of his lead breaks. But Clapton insisted in a 2001 Rolling Stone interview, "I think it's important to say something powerful and keep it economical." Even when he jammed on a tune for more than a quarter-hour with Cream, Clapton soloed with a daggerlike tone and pinpoint attention to melody. The solo albums that followed Layla, his 1970 tour de force with Derek and the Dominos, emphasize his desires as a singer-songwriter. But on the best, like 1974's 46I Ocean Boulevard and 1983's Money and Cigarettes, his solos and flourishes still pack the power that made him "God" in the first place.

5. Robert Johnson

Johnson is the undisputed king of the Mississippi Delta blues singers and one of the most original and influential voices in American music. He was a virtuoso player whose spiritual descendants include Eric Clapton, Keith Richards and Jack White. Johnson's recorded legacy — a mere twenty-nine songs cut in 1936 and '37 — is the foundation of all modern blues and rock. He either wrote or adapted from traditional sources many of the most popular blues songs of all time, including "Cross Road Blues," "Sweet Home Chicago" and "I Believe I'll Dust My Broom." Johnson, the illegitimate son of a Mississippi sharecropper, poured every ounce of his own poverty, wandering and womanizing into his work — documenting black life in the Deep South beneath the long shadow of slavery with haunted intensity. 
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The Weirdest and Most Complicated Rock Album's Titles Ever, Can You Figure out What They are Telling You? : 1. The Rise and Fall of Ziggy Stardust and the Spiders from Mars: David Bowie

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is a 1972 concept album by English musician David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. It peaked at #5 in the UK and #75 in the US on the Billboard Music Charts.
The album tells the story of Bowie's alter-ego Ziggy Stardust, a rock star who acts as a messenger for extraterrestrial beings. Bowie created Ziggy Stardust while in New York City promoting Hunky Dory and performed as him on a tour of the UK, Japan and North America. The album, and the character of Ziggy Stardust, was known for its glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie's sexuality and fuelled by a ground-breaking performance of \'Starman\' on Top of the Pops, led to the album being met with controversy and since hailed as a seminal work.

2. My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows: Tyrannosaurus Rex [Marc Bolan]

My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows is the 1968 debut album by Tyrannosaurus Rex (later known as "T. Rex"). The album reached number 15 in the UK Album Chart upon initial release, but later reached number 1 when it was paired with the second Tyrannosaurus Rex album Prophets, Seers & Sages: The Angels of the Ages as the compilation album Tyrannosaurus Rex: A Beginning in 1972. This double LP set was released in the United States on A&M Records, and was the first time the album was available there.

3. When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'Fore He Enters the Ring There's No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You'll Know Where to Land and If You Fall It Won't Matter, Cuz You Know That You're Right: Fiona Apple

When the Pawn Hits the Conflicts He Thinks like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'fore He Enters the Ring There's No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights
and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won't Matter, Cuz You'll Know That You're Right, commonly shortened to When the Pawn... is the second album by American singer-songwriter Fiona Apple, released by Epic Records in the United States on November 9, 1999. The full album title contains over 400 characters of text. In 2010, Spin magazine named the album the 106th greatest of the last 25 years. A year later, Slant Magazine named it the 79th best album of the 1990s.

4. Astro Creep: 2000 -- Songs of Love, Destruction, and Other Synthetic Delusions of the Electric Head: White Zombie

Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (or simply Astro-Creep: 2000) is the fourth and final studio album by White Zombie, released on April 11, 1995 through Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It is Rob's final album with the band before forming his solo band lineup, and introduced drummer John Tempesta, who would continue to perform with him for his first two solo recordings.

Live Fast Die Young, The Rock N' Roll Heroes. 1. John Lennon (of the Beatles, Plastic Ono Band)

Age:40
Cause of Death: Murdered
John Lennon, MBE (born John Winston Lennon; 9 October 1940 – 8 December 1980) was an English musician, singer and songwriter who rose to worldwide fame as a founder member of the Beatles, one of the most commercially successful and critically acclaimed acts in the history of popular music. With Paul McCartney, he formed one of the most celebrated songwriting partnerships of the 20th century. Continue Reading

2. Eddie Cochran (the Father of Rockabilly Rock)

Age: 21
Cause of Death: Car Accident
Ray Edward 'Eddie' Cochran (October 3, 1938–April 17, 1960) was an American rock and roll pioneer who in his brief career had a lasting influence on rock music. Cochran's rockabilly songs, such as "C'mon Everybody", "Somethin' Else", and "Summertime Blues", captured teenage frustration and desire in the late 1950s and early 1960s. He experimented with multitrack recording and overdubbing even on his earliest singles, and was also able to play piano, bass and drums. His image as a sharply dressed, rugged but good-looking young man with a rebellious attitude epitomized the stance of the 50s rocker, and in death he achieved an iconic status. Continue Reading

3. Ritchie Valens

Age: 18
Cause of Death: Airplane Crash
Ritchie Valens (born Richard Steven Valenzuela; May 13, 1941 – February 3, 1959) was a Mexican-American singer, songwriter and guitarist. A rock and roll pioneer and a forefather of the Chicano rock movement, Valens' recording career lasted only eight months. During this time, he had several hits, most notably "La Bamba", which was originally a Mexican folk song. Valens transformed the song into one with a rock rhythm and beat, and it became a hit in 1958, making Valens a pioneer of the Spanish-speaking rock and roll movement.
On February 3, 1959, on what has become known as "The Day the Music Died", Valens died in a small-plane crash in Iowa, a tragedy that also claimed the lives of fellow musicians Buddy Holly and J. P. "The Big Bopper" Richardson. Valens was inducted into the Rock and Roll Hall of Fame in 2001. Continue Reading

4. Buddy Holly (Mostly with the Crickets)

Age: 22
Cause of Death: Airplane Crash

Charles Hardin Holley (September 7, 1936 – February 3, 1959), known professionally as Buddy Holly, was an American singer-songwriter and a pioneer of rock and roll. Although his success lasted only a year and a half before his death in an airplane crash, Holly is described by critic Bruce Eder as "the single most influential creative force in early rock and roll." His works and innovations inspired and influenced contemporary and later musicians, notably The Beatles, Elvis Costello, The Rolling Stones, Don McLean, Bob Dylan, Steve Winwood, and Eric Clapton, and exerted a profound influence on popular music. Holly was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986. In 2004, Rolling Stone ranked Holly No. 13 among "The 100 Greatest Artists of All Time". Continue Reading

5. TOMMY BOLIN (of Zephyr, James Gang And Deep Purple)

Age: 25
Cause of Death: Committed Suicide (Jumped off the Building)
 Thomas Richard "Tommy" Bolin (August 1, 1951 – December 4, 1976) was an American-born guitarist who played with Zephyr (from 1969 to 1971), The James Gang (from 1973 through 1974), and Deep Purple (from 1975 to 1976); in addition to maintaining a notable solo career.
Tommy Bolin was born in Sioux City, Iowa and began playing in bands around the city as a youth ("A Patch of Blue" and others) before moving to Boulder, Colorado, in his late teens. He had played in a band called American Standard before joining Ethereal Zephyr, a band named after a train that ran between Denver and Chicago. When record companies became interested, the name was shortened to Zephyr. This band included Bolin on guitar, David Givens on bass, and Givens' wife Candy Givens on vocals. The band had begun to do larger venues, opening for more established acts such as Led Zeppelin. Their second album, entitled Going Back to Colorado, featured a new drummer, Bobby Berge, who would pop up from time to time in musician credits in album liner notes from Bolin's later projects. Continue Reading

6. MARC BOLAN (of Tyranosaurus Rex, T-Rex)

Age: 30
Cause of Death: Car Accident

Marc Bolan (pron. boe-lən; born Mark Feld; 30 September 1947 – 16 September 1977) was an English singer-songwriter, guitarist and poet. He is best known as the frontman of glam rock group T. Rex.
Bolan grew up in post-war Stoke Newington, in the borough of Hackney, East London, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver. His father was Jewish (of Russian/Polish and Irish origin) and his mother was from a Christian background. Later moving to Wimbledon, southwest London, he fell in love with the rock and roll of Gene Vincent, Eddie Cochran, Arthur Crudup and Chuck Berry and hung around coffee bars such as the 2 I's in Soho. He appeared as an extra in an episode of the television show Orlando, dressed as a mod. At the age of nine, Bolan was given his first guitar and began a skiffle band. While at school, he played guitar in "Susie and the Hoops," a trio whose vocalist was a 12-year old Helen Shapiro. At 15, he was expelled from school for bad behaviour. Continue Reading

INDONESIAN PROG ROCK PIONEERS: THE GANG OF HARRY ROESLI

Roesli was born with the full name Djauhar Zaharsjah Fachruddin Roesli in Bandung, East Java, on 10 September 1951; he was the youngest of Major General Roeshan Roesli's four children. In 1970, he enrolled in the aviation engineering program at the Bandung Institute of Technology. He also studied music under Remy Silado and Slamet Abdul Syukur.
In the early 1970s, Roesli formed The Gang of Harry Rusli. He released his debut solo album, Philosophy Gang, in 1973. Although initially interested in becoming a writer like his grandfather and writing numerous pieces of poetry, his work was never published. After his album with The Gang of Harry Rusli, he went to the Jakarta Art Educational Institute. then studied on scholarship at the Rotterdam Conservatory in the Netherlands for two years; he graduated in 1981.
Upon his return, Roesli began work on an avant-garde project mixing the sounds of Iannis Xenakis, John Cage, and Karlheinz Stockhausen with poetry by Yudhistira Ardi Noegraha. In 1982 Roesli began occasionally collaborating with Putu Wijaya; the two would sometimes go overseas together for performances. Roesli also collaborated with Nano Riantiarno's Teater Koma and several international troupes. He also took a position as professor of music at the Indonesia University of Education and Pasundan University, both in Bandung. Read More

GURUH GIPSY

Guruh Gipsy is basically a collaborative effort between Guruh Soekarno Putro - the fifth child of Indonesia's first President, Soekarno - and Gipsy. Guruh was born in Jakarta, 13 January 1953 and since his childhood her mother (Fatmawati) reckoned that he had strong passion for art and strong sense of accomplishment. Unlike his sister, Megawati, whom later became Indonesia's President, he pursued his dreams in art including music and choreography. He later established his own dance and music group called "Swaramaharddika" which was very famous in the 70s and 80s.

While Gipsy was basically a music group which its members are Nasution brothers: Gaury, Keenan, Odink, and Deby. It was previously established in 1966 under the name of Sabda Nada with members: Ponco Sutowo, Gaury Nasution, Joe-Am, Eddy, Edit, Roland and Keenan Nasution. They were very familiar with Balinese music and they ever did a gig at Bank Indonesia combining western with Balinese music with gamelan group led by Wayan Suparta Wijaya. In 1969 the band renamed themselves as Gipsy and the new line-up was established: Onan, Chrisye, Gaury, Tammy, dan Atut Harahap. They did cover for 70s groups like Procol Harum, King Crimson, ELP, Genesis and Blood, Sweat & Tears. In 1971 the line-up changed again: Keenan, Chrisye, Gaury, Rully Djohan, Aji Bandi, and Lulu. With this line-up the band played a gig in New York, USA.

This collaborative effort called GURUH - GIPSY was made possible due to Guruh strong passion for combining ethnic music of Bali based on pentatonic notes and western music which is based on diatonic notes. The effort took such a long time as it required sixteen (16) months of recording time. The elapsed time was used by Guruh for various complex activities, i.e. financing the project, scheduling with the only studio available at that time with 16-track system (Tri Angkasa), composing the music with Keenan Nasution (drums), Odink Nasution (guitar), Abadi Soesman (keyboards), Roni Harahap (piano/organ), and Chrisye (vocal). Actually, total studio days was 52 days. Read More